Jason Serinus reviews Antonio Lysy’s South America

Jason Serinus reviews Antonio Lysy’s South America in the April 2018 edition of Stereophile. One unifying factor is the Boulanger-trained Argentinean composer Piazzolla, whose infrequently performed Resurrección del ángel (Resurrection of the Angel), surfaces in an arrangement for four cellos by Emilio Colón. The work is heard in an ingenuous multi-track version on which, thanks to Arian Jansen’s all-analog Sonorus Holographic Imaging technology (SHI), Lysy plays all the parts. Please view Jason’s full article.

Jessica Duchen’s Classical Music Blog : Antonio Lysy

Reading Jessica Duchen’s Classical Music Blog today is a treat because she publishes an essay by cellist Antonio Lysy which is a tribute to his father, Alberto Lysy (1935-2009). In her post, Duchen talks about Antonio’s recent recording on Yarlung Records: Back in 2001 Alberto and Antonio recorded the Kodály Duo for violin and cello together. This recording was released for the first time just a few weeks ago. Hungarian as Kodály may be, the album is in fact called South America and features works by Piazzolla, Villa-Lobos, Coco Trivisonno and more – paying tributes to Antonio’s multifarious background and influences. The South American repertoire is irresistibly seductive and atmospheric, while the Kodály, performed with tremendous intensity, bravura and sensitivity, is more than a treat and a half. In this guest post, Antonio tells us about the coaching his father received from Yehudi Menuhin and Zoltan Kodály himself. Read Dunchen’s blog and Lysy’s Continue Reading →