Newsletter: Feb. 13, 2017

Dear Friends, Today we celebrate South America! Executive producers Carlos & Haydee Mollura join me in celebrating the release of Antonio Lysy’s new album South America this Friday. Amazon and iTunes are taking preorders for Friday, and HDTracks and Yarlung Records are live and delivering today. NativeDSD will follow shortly. Tom Caulfield, Cliff Harris and I are finishing the DSD files for you in stereo and in surround sound. I love this disc. GRAMMY® Award winning cellist Antonio Lysy performs with his father, the legendary Argentine violinist Alberto Lysy in the Kodaly duo, and Coco Trivisonno (one of the last living members of Piazzolla’s ensemble) performs bandoneon in three arrangements we commissioned from him of songs by Carlos Gardel. With tango milongas taking place all over the world, the timing of South America seems fortunate. Luxuriate also in the Casals and Bach/Villa Lobos cello choirs, performed all by Antonio Lysy Continue Reading →

Jorge Capadocia reviews “Yuko Mabuchi Trio” for NativeDSD

Yuko Mabuchi Trio: Some Standards and some nice surprises This live recording starts with What Is This Thing Called Love and Yuko’s playing, along with Bobby’s drum solo, immediately engages the audience. Throughout the album, Yuko is very sensitive and lyrical in her playing and does not go for bombast unless the music demands. When it does though, like in Sona’s Song (a composition of her own), we are in for a real treat: a very intense outburst erupts, breaking a simple delicate melody. Del Atkins and Bobby Breton are supportive in their playing, with… well executed solos. The musical rapport among them is evident in Seriously, in which the ornamented piano playing is executed over a repetitive and rhythmic bass – roles are switched for a moment and the transitions sound very fluid. Other highlights include a Japanese medley that goes from delicate to psychedelic (!) to spirited, and Continue Reading →

Newsletter: Dec 19, 2017

Dear Friends, Greetings! And Happy Holidays to you! While it isn’t Christmas music specifically, Nostos gets into the holiday spirit with rousing acapella choral repertoire from English, German, Russian, Hanseatic and American musical traditions. Thank you Rob Istad, thank you University Singers and thank you executive producer Leslie Bigos for this fabulous album. We anticipate Nostos will also be available in Stereo, SonoruS Holographic Imaging and Quatro Surround Sound on NativeDSD this week too. Thank you Tom and thank you Jared! Here’s video from the pre-recording live concert of the American Spiritual My Soul’s Been Anchored in the Lord Great news on the Yuko Mabuchi Trio front: The Trio travels to New York City to be part of the Arts Presenters Showcase in Manhattan mid January. Yuko, Del and Bobby will perform at the mid-town Hilton at 4:30pm on January 13th. Guests are welcome. Also, Yarlung executive producers Craig and Diane Martin have made it possible for us to release our first double 45rpm vinyl album for Yuko Continue Reading →

Michael Lavorgna writes glowingly about Yuko Mabuchi Trio in AudioStream

Check out the glowing review of the Yuko Mabuchi Trio in AudioStream. [Yuko Mabuchi Trio] is so good in terms of the music, musicianship and sound quality… The detail, sense of space and most importantly, dynamics, are thrilling. It is rare in the audiophile world to get such a perfect pairing of compelling music and sound quality. This recording is available on many of the usual download sites and in many flavors of DSD and PCM. I downloaded the album from NativeDSD at DSD 128 resolution. Highly recommended. Read more at about the Yuko Mabuchi Trio at AudioStream.

Luxuriating: The Yuko Mabuchi Trio (2017)

…Yuko Mabuchi takes command of both her instrument and the listener’s ears from the first stroke of the album’s opener, Cole Porter mainstay, “What Is This Thing Called Love” and through all eight live-recorded masterpiece tracks.  Produced by Randy Bellous… the live album is a must-own for piano trio aficionados and jazz lovers of all stripes. A tremendous highlight of the album is… “On Green Dolphin Street.”  Pitched in Bill Evans’ preferred key of E-flat…. Dave Brubeck himself would have applauded the tight interplay of time between one half of the head, presented in a heavy ¾ that alternates sweetly with the straight ‘four-on-the-floor’ 4/4 of the next four bars of the same phrase….  Mabuchi, delicious bassist Del Atkins, and tasty drummer Bobby Breton make it new all over again…. Mabuchi’s right hand is the star of each of her solo flights.  Clean, precise, and crisp like forebears Teddy Wilson, Continue Reading →

Read Jeff Wilson’s review of Yuko Mabuchi Trio in The Absolute Sound

If the eponymous debut album by the Yuko Mabuchi Trio can be seen as a coming out party, it’s hard to imagine the musicians squeezing anything more out of the event. The nearly hour-long set includes some well-known jazz standards, including a gorgeous On Green Dolphin Street and an exuberant romp through Sonny Rollins’ St. Thomas. During a solo piano medley, Mabuchi’s reconstruction of Take the “A” Train displays a fertile imagination and a confident left hand. A sly reading of Sara Bareilles’ Seriously shows Mabuchi’s ability to spot a pop song that translates nicely into the jazz idiom. Her interpretive skills also surface on a composition by TAS music reviewer Mark Lehman, Waltz Noir; here the trio uses a classical composition as a launch pad for some highly evocative noir jazz. If Mabuchi’s playing can be described as tasteful, economical, and lyrical, it should also be noted that her Continue Reading →