Yuko Mabuchi Trio Vol. 1 Yarlung Records 45 RPM Vinyl

“The Real Deal!” Anthony Kershaw reviews Yuko Mabuchi Trio Vol 1, 180 Gram pressing, 45RPM Diane and Craig Martin, executive producers (Randy Bellous, executive producer for CD) “Mabuchi is a jazz pianist blessed with taste, a gorgeous piano tone… superb improvisational skills and can swing. Unless we’re talking about the greats, many jazz pianists today may possess two or even three of those talents, but Mabuchi has all four. “The recording by Yarlung is an audiophile’s wet dream.” This was a very fortuitous vinyl find during a typical internet search of interesting LPs via Amazon, Discogs, eBay, you know, a basic Saturday morning record search. What’s good out there? What can I afford this weekend? … The 45 RPM mastering on this release was by Bernie Grundmann. So, the gold standard for an all-analogue LP. Japanese jazz pianist Yuko Mabuchi began playing piano at the age of 4. She was Continue Reading →

Yuko Mabuchi plays Miles Davis vol 1

Yuko Mabuchi – Yuko Mabuchi Plays Miles Davis, Volume 1  By Eddie Carter  Yuko Mabuchi has been making a positive statement on the jazz scene since her 2018 releases, Yuko Mabuchi Trio, Volumes 1 and 2.  She steps into the spotlight this morning to give her second live performance at Cammilleri Hall before an enthusiastic crowd.  Yuko Mabuchi Plays Miles Davis, Volume 1 (Yarlung Records YAR45588-171V) is a single 45-rpm audiophile album offering two jewels from Kind of Blue and two original tunes by the leader.  She’s working again with trio members Del Atkins on bass and Bobby Breton on drums, plus JJ Kirkpatrick on trumpet.  JJ is a member of Sophisticated Lady Jazz Quartet and my copy used in this report is the 2020 Stereo album. Yuko sets the groove for Side One with Miles’ All Blues, her enthusiastic notes on the introduction flowing as naturally as spoken words.  Continue Reading →

City of Los Angeles honors “Yuko Mabuchi plays Miles Davis”

The City of Los Angeles presented Yuko Mabuchi with commendation for her 2019 release Yuko Mabuchi plays Miles Davis, an album she recorded in the Brain and Creativity Institute’s Cammilleri Hall with JJ Kirkpatrick, trumpet; Del Atkins, bass and Bobby Breton on drums.  Tellingly, Albert Edmund Lord III presented this appreciation from the City of Los Angeles at the Catalina Jazz Club gala event supporting SAPPA, the after-school music education program in Watts where Yuko volunteers part of her time as the orchestra pianist and accompanist.  As Mr. Lord explained, Los Angeles appreciates Yuko’s interest in serving the community as much as it appreciates her meteoric abilities as a concert performer and recording artist.  The text of the commendation reads: Congratulations on the release of your album “Yuko Mabuchi plays Miles Davis”.  Your passion and mission to ensure that influential and significant music and artists continue to live on in Continue Reading →

Jorge Capadocia, NativeDSD, review of Yuko Mabuchi Trio

Yuko Mabuchi Trio: Some Standards and some nice surprises On this album, Yuko Mabuchi is joined by Del Atkins on bass and Bobby Breton on drums to perform some jazz standards and some nice surprises. The repertoire is varied with respect to style. We get to listen to pensive songs such as Valse Noire (which is borderline melancholic), medleys, Latin Jazz and spirited tunes. This live recording starts with What Is This Thing Called Love and Yuko’s playing, along with Bobby’s drum solo, immediately engages the audience. Throughout the album, Yuko is very sensitive and lyrical in her playing and does not go for bombast unless the music demands. When it does though, like in Sona’s Song (a composition of her own), we are in for a real treat: a very intense outburst erupts, breaking a simple delicate melody. Del Atkins and Bobby Breton are supportive in their playing, with Continue Reading →

Yuko Mabuchi Trio helps celebrate Bob Levi’s 70th Birthday

Happy Birthday Bob Levi! Robert H. Levi, President and CEO of the Los Angeles and Orange County Audio Society, has done everything he can to encourage audiophile enthusiasts around the world.  This whipping up of enthusiasm results in tremendous support for musicians, labels and equipment manufacturers.  Yuko and our executive producers Craig and Diane Martin wanted to dedicate the new Yuko Mabuchi Trio vinyl pressing to the Audio Society’s 25th Anniversary, and to Bob Levi in honor of his 70th Birthday. Not a week passed, from concept to delivery, when Maestro Levi didn’t call me asking for updates, enthusing in advance, and generally saying thank you.  Fortunately, Bob liked the album when I sent him the first copy the other day.  He arranged a listening party the next morning with two critic friends, played the CD first, and then the sparkling new LP.  Michael Wechsberg and Richard Revell were Bob’s Continue Reading →

Newsletter: Feb. 13, 2017

Dear Friends, Today we celebrate South America! Executive producers Carlos & Haydee Mollura join me in celebrating the release of Antonio Lysy’s new album South America this Friday. Amazon and iTunes are taking preorders for Friday, and HDTracks and Yarlung Records are live and delivering today. NativeDSD will follow shortly. Tom Caulfield, Cliff Harris and I are finishing the DSD files for you in stereo and in surround sound. I love this disc. GRAMMY® Award winning cellist Antonio Lysy performs with his father, the legendary Argentine violinist Alberto Lysy in the Kodaly duo, and Coco Trivisonno (one of the last living members of Piazzolla’s ensemble) performs bandoneon in three arrangements we commissioned from him of songs by Carlos Gardel. With tango milongas taking place all over the world, the timing of South America seems fortunate. Luxuriate also in the Casals and Bach/Villa Lobos cello choirs, performed all by Antonio Lysy Continue Reading →

Jorge Capadocia reviews “Yuko Mabuchi Trio” for NativeDSD

Yuko Mabuchi Trio: Some Standards and some nice surprises This live recording starts with What Is This Thing Called Love and Yuko’s playing, along with Bobby’s drum solo, immediately engages the audience. Throughout the album, Yuko is very sensitive and lyrical in her playing and does not go for bombast unless the music demands. When it does though, like in Sona’s Song (a composition of her own), we are in for a real treat: a very intense outburst erupts, breaking a simple delicate melody. Del Atkins and Bobby Breton are supportive in their playing, with… well executed solos. The musical rapport among them is evident in Seriously, in which the ornamented piano playing is executed over a repetitive and rhythmic bass – roles are switched for a moment and the transitions sound very fluid. Other highlights include a Japanese medley that goes from delicate to psychedelic (!) to spirited, and Continue Reading →