Reading Jessica Duchen’s Classical Music Blog today is a treat because she publishes an essay by cellist Antonio Lysy which is a tribute to his father, Alberto Lysy (1935-2009). In her post, Duchen talks about Antonio’s recent recording on Yarlung Records: Back in 2001 Alberto and Antonio recorded the Kodály Duo for violin and cello together. This recording was released for the first time just a few weeks ago. Hungarian as Kodály may be, the album is in fact called South America and features works by Piazzolla, Villa-Lobos, Coco Trivisonno and more – paying tributes to Antonio’s multifarious background and influences. The South American repertoire is irresistibly seductive and atmospheric, while the Kodály, performed with tremendous intensity, bravura and sensitivity, is more than a treat and a half. In this guest post, Antonio tells us about the coaching his father received from Yehudi Menuhin and Zoltan Kodály himself. Read Dunchen’s blog and Lysy’s Continue Reading →
The following announcement about the Cal State Fullerton Singers new CD “Nostos” on Yarlung Records was found in the Orange County Register, December 6, 2017 The repertoire sung by Cal State Fullerton’s University Singers in June on the group’s tour of Scandinavia, the Baltic States and Russia has been made into an album, “Nostos: The Homecoming of Music.” Robert Istad, director of choral studies and professor of music, said… “the students and I worked really diligently to bring the music to life for our audiences, and we were completely overwhelmed with the passion and positive energy with which the audiences embraced our performances.” “The singers performed without sheet music on their tour… and this deep familiarity with the repertoire made it possible to record each of the pieces you hear on this disc in one take. There is no editing involved.“ Please visit the Orange County Register.
Check out the glowing review of the Yuko Mabuchi Trio in AudioStream. [Yuko Mabuchi Trio] is so good in terms of the music, musicianship and sound quality… The detail, sense of space and most importantly, dynamics, are thrilling. It is rare in the audiophile world to get such a perfect pairing of compelling music and sound quality. This recording is available on many of the usual download sites and in many flavors of DSD and PCM. I downloaded the album from NativeDSD at DSD 128 resolution. Highly recommended. Read more at about the Yuko Mabuchi Trio at AudioStream.
…Yuko Mabuchi takes command of both her instrument and the listener’s ears from the first stroke of the album’s opener, Cole Porter mainstay, “What Is This Thing Called Love” and through all eight live-recorded masterpiece tracks. Produced by Randy Bellous… the live album is a must-own for piano trio aficionados and jazz lovers of all stripes. A tremendous highlight of the album is… “On Green Dolphin Street.” Pitched in Bill Evans’ preferred key of E-flat…. Dave Brubeck himself would have applauded the tight interplay of time between one half of the head, presented in a heavy ¾ that alternates sweetly with the straight ‘four-on-the-floor’ 4/4 of the next four bars of the same phrase…. Mabuchi, delicious bassist Del Atkins, and tasty drummer Bobby Breton make it new all over again…. Mabuchi’s right hand is the star of each of her solo flights. Clean, precise, and crisp like forebears Teddy Wilson, Continue Reading →
Bravo Diego and Sibelius Piano Trio! Para su consideración: Composición Clásica Contemporánea (Sibelius Piano Trio: “Nene”, de Diego Schissi) For your consideration: Contemporary Classical Composition (Sibelius Piano Trio: Nene, by Diego Schissi) El maestro argentino de jazz y tango Diego Schissi compuso “Nene” para Sibelius Piano Trio, que fue lanzado por Yarlung el año pasado con éxito crítico. Argentine jazz and tango master Diego Schissi wrote Nene for Sibelius Piano Trio, which Yarlung released last year to critical acclaim. Selecciones varias de “Nene” Folleto informativo “Nene”; descarga completa de alta calidad de audio de CD ¡Gracias, y que lo disfruten! Nene Music Samples Album booklet Complete CD Quality Download: Nene, by Diego Schissi Thank you! Enjoy! Nene was commissioned by Yarlung Artists Coretet, Yarlung’s new music commissioning organization directed by Donna Morton, with underwriting from Leslie Lassiter, Raulee Marcus and Stephen A. Block.Thank you! YouTube
If the eponymous debut album by the Yuko Mabuchi Trio can be seen as a coming out party, it’s hard to imagine the musicians squeezing anything more out of the event. The nearly hour-long set includes some well-known jazz standards, including a gorgeous On Green Dolphin Street and an exuberant romp through Sonny Rollins’ St. Thomas. During a solo piano medley, Mabuchi’s reconstruction of Take the “A” Train displays a fertile imagination and a confident left hand. A sly reading of Sara Bareilles’ Seriously shows Mabuchi’s ability to spot a pop song that translates nicely into the jazz idiom. Her interpretive skills also surface on a composition by TAS music reviewer Mark Lehman, Waltz Noir; here the trio uses a classical composition as a launch pad for some highly evocative noir jazz. If Mabuchi’s playing can be described as tasteful, economical, and lyrical, it should also be noted that her Continue Reading →
Review: Yuko Mabuchi, piano; Del Atkins, bass; Bobby Breton, drums by Peter Rutenberg Yuko Mabuchi Trio’s new CD on Yarlung Records makes great listening! They play several jazz standards with strength and authority, each with distinct colors and approaches. Lush harmonies suggest a sense of fuller orchestration, in the same vein as Brahms’ piano works, while fluid rhythms refresh at every turn. The trio exhibits consummate musicality and technique – with artful phrasing led by the pianist, a lyrical sensuousness in the bassist’s melodic counterpoints with the piano, and the drummer’s intelligent vocabulary and broad sweep tying it all together. Three brief points exemplify these qualities: Take the “A” Train roars into Harlem and beyond, stylistically speaking; the Japanese folksong Sakura (Cherry Blossom) finds delicate color and nuance in Debussy-esque harmonies; and the Latin rhythm tropes of the opening track, What Is This Thing Called Love, return in full regalia Continue Reading →
by Robert H. Levi Senior Associate Editor at Large, Positive Feedback Yuko Mabuchi plays the ivories with the touch of an angel and the understanding of an artist many times her young age. She is backed by seasoned musicians with strong drive plus an acute sense of playing with and not over the pianist. This is Yarlung’s third jazz album recorded like you wish all performances were recorded: listening is just like being there. All that’s missing here is the expensive tickets and sticky floor! The selection of mostly standards and stand-outs is delightful and hard to leave. I liked every one of them, particularly the All The Things You Are, Take The A Train, Satin Doll Medley and St. Thomas, a Sonny Rollins classic. The Japanese Medley was hauntingly gorgeous and intriguing. I played it twice in my first listening pass. The album is all about Yuko Mabuchi and Continue Reading →
Tom Schnabel features Mahler’s Liebst du um Schönheit on Rhythm Planet. Click to hear Tom & Sasha Hear the entire broadcast here. “… we continue with an art song by Gustav Mahler, beautifully rendered by mezzo soprano Sasha Cooke and The Colburn Orchestra from Los Angeles. The album is on Yarlung Records, an audiophile label known for pristine sound quality.” Thank you Tom and thank you KCRW! See also Sasha’s review in Opera News See Yarlung Records for more information on Sasha Cooke “If You Love For Beauty.”
The Colburn Orchestra, Gilad. Works by Adams, Chausson, Handel and Mahler. Texts in French, Italian, German and English. Yarlung Records YAR14148 Mezzo Sasha Cooke made a striking impression as Kitty, the wife of J. Robert Oppenheimer, in the Met premiere of Doctor Atomic five seasons ago. The high point of her performance was her seductive love duet with Gerald Finley’s Oppenheimer, which included her aria “Am I in Your Light?” Cooke leads with that piece on her excellent debut solo CD, If You Love for Beauty, in which she is sensitively accompanied by Yehuda Gilad and the Colburn Orchestra. Cooke’s attractive, erotic stage presence struck plenty of sparks in Doctor Atomic, but without question she also delivers the vocal goods. She possesses a firm, fruity mezzo, straight-toned in quality, which allows the listener to luxuriate in her unerring sense of pitch. And she has a strong yet subtle interpretive ability, Continue Reading →