Peter Rutenberg reviews Yuko Mabuchi debut on Yarlung Records

Review: Yuko Mabuchi, piano; Del Atkins, bass; Bobby Breton, drums by Peter Rutenberg Yuko Mabuchi Trio’s new CD on Yarlung Records makes great listening! They play several jazz standards with strength and authority, each with distinct colors and approaches. Lush harmonies suggest a sense of fuller orchestration, in the same vein as Brahms’ piano works, while fluid rhythms refresh at every turn. The trio exhibits consummate musicality and technique – with artful phrasing led by the pianist, a lyrical sensuousness in the bassist’s melodic counterpoints with the piano, and the drummer’s intelligent vocabulary and broad sweep tying it all together. Three brief points exemplify these qualities: Take the “A” Train roars into Harlem and beyond, stylistically speaking; the Japanese folksong Sakura (Cherry Blossom) finds delicate color and nuance in Debussy-esque harmonies; and the Latin rhythm tropes of the opening track, What Is This Thing Called Love, return in full regalia Continue Reading →

Review: Yuko Mabuchi Trio Concert

by Robert H. Levi Senior Associate Editor at Large, Positive Feedback Yuko Mabuchi plays the ivories with the touch of an angel and the understanding of an artist many times her young age. She is backed by seasoned musicians with strong drive plus an acute sense of playing with and not over the pianist. This is Yarlung’s third jazz album recorded like you wish all performances were recorded: listening is just like being there. All that’s missing here is the expensive tickets and sticky floor! The selection of mostly standards and stand-outs is delightful and hard to leave. I liked every one of them, particularly the All The Things You Are, Take The A Train, Satin Doll Medley and St. Thomas, a Sonny Rollins classic. The Japanese Medley was hauntingly gorgeous and intriguing. I played it twice in my first listening pass. The album is all about Yuko Mabuchi and Continue Reading →

Sibelius Piano Trio Makes an Impact in Australia

The eminent music critic Neville Cohn reviews the Trio’s debut album in NewOZartsreview. …this intriguing compilation encompasses music written by contemporary Finnish composers whose names could well be new to most listeners living beyond the borders of Scandinavia. Diego Schissi’s Nene… opens with a terrific, offbeat dance. It radiates gusto, with tricky rhythms and much pizzicato.  Listen to a background of quiet pizzicato across which runs a dream-like cello line. Later, the attention is drawn to the piano with its stab-like utterances…. David Lefkowitz’s Ruminations calls up images of Middle East dances and what might be a folksy Yiddish extemporisation, desperately melancholy and introverted…. Recordings like this don’t just happen. And those who have pooled their resources to this excellent end deserve real praise. The focused work of many has been called upon to bring this CD into being: executive producer Ann Mulally, 100th Anniversary sponsors Randy and Linda Bellous Continue Reading →

Opera News: Sasha Cooke “If You Love for Beauty”

The Colburn Orchestra, Gilad. Works by Adams, Chausson, Handel and Mahler. Texts in French, Italian, German and English. Yarlung Records YAR14148 Mezzo Sasha Cooke made a striking impression as Kitty, the wife of J. Robert Oppenheimer, in the Met premiere of Doctor Atomic five seasons ago. The high point of her performance was her seductive love duet with Gerald Finley’s Oppenheimer, which included her aria “Am I in Your Light?” Cooke leads with that piece on her excellent debut solo CD, If You Love for Beauty, in which she is sensitively accompanied by Yehuda Gilad and the Colburn Orchestra. Cooke’s attractive, erotic stage presence struck plenty of sparks in Doctor Atomic, but without question she also delivers the vocal goods. She possesses a firm, fruity mezzo, straight-toned in quality, which allows the listener to luxuriate in her unerring sense of pitch. And she has a strong yet subtle interpretive ability, Continue Reading →

Eminent music critic John von Rhein writes in the Chicago Tribune about James Matheson

Baird Dodge, principal second violin of the Chicago Symphony Orchestra, gave the world premiere of American composer James Matheson’s Violin Concerto with the CSO under Esa-Pekka Salonen here in 2011. Yarlung Records has issued an all-Matheson disc anchored by a composite of those live performances, and it’s a winner. The concerto is a supercharged neo-romantic showpiece, two perpetual-motion outer movements surrounding a lyrical chaconne. Brilliantly played by its dedicatee and his orchestral colleagues, the concerto shares disc space with two Matheson chamber works that make the recording well worth checking out. Please enjoy John’s full article in the Tribune. Thank you John!

Commissioning New Music: Jim Farber writes in the San Francisco Classical Voice

The eminent music critic Jim Farber interviewed me recently for a two-part article he wrote for San Francisco Classical Voice about new music, organizations that commission new music, and various ways to fund these exciting creations.  He was particularly interested in Coretet, the commissioning arm of Yarlung Artists, founded by Coretet’s executive director Donna Morton. Jim speaks at length with Deborah Borda, president of the Los Angeles Philharmonic, and Raulee Marcus, who has been intimately involved (and generous)  as an underwriter for several commissions by Yarlung Artists, the Los Angeles Philharmonic, and the Los Angeles Chamber Orchestra. It was also great to see Jim include Thor Steingraber, who now runs the Valley Performing Arts Center in Northridge, where Yarlung is planning multiple recordings in June, 2017. Thank you Jim, for bringing clear focus to commissioning new music, which is pumps fresh life blood into the musical experience. -Bob Attiyeh Jim’s Continue Reading →

A Gorgeous Debut from the Sibelius Piano Trio

…once you hear [The Sibelius Piano Trio’s debut album] from Yarlung Records, best appreciated via stereo and multi-channel DSD downloads from NativeDSD.com… you’ll understand why their debut recording of trios by Sibelius and contemporary composers deserves a place in your collection. [Pianist Juho Pohjonen] is distinguished by deep sensitivity and lucid insights. Like him, violinist Petteri Iivonen (b. 1987) and cellist Samuli Peltonen (b. 1981) have won top prizes in national and international competitions, and used them to launch international careers. IIvonen is actually famed Finish composer Kaija Saariaho’s violinist of choice for her Violin Concerto, which is saying quite a lot. Together, these three friends formed the Sibelius Piano Trio just two years ago. For a new ensemble that has only performed once in the U.S., and does not yet have a viable website, they’ve certainly racked up several impressive commissions. The discs contain three intriguing works written for Continue Reading →

Analog Planet article “Three Percussion Records You Should Own”

Michael Fremer includes “Smoke & Mirrors” in his Analog Planet article “Three Percussion Records You Should Own” Smoke & Mirrors is another collection of “serious” (yet fun) works for percussion recorded in Zipper Hall, Los Angeles, June 7-10, 2011 and June 3-5, 2012. I think they had to wait a year to finish up after the first recording session in order for the hall reverberation to stop! This was recorded to analog tape using a single AKG C24 tube microphone and features the ensemble playing their own tunes plus one by Maurice Ravel. The sonics here are spectacular, in some ways the best of the three records covered here, and presented at 45rpm because the 33 1/3 test pressing proved too difficult for most tone arms and cartridges to track. At 45rpm you should have no difficulty. These performances were recorded live to tape with no editing by the seven Continue Reading →

“James Matheson” earns coveted spot in the Stereophile Magazine “Records to Die for 2017” lineup!

James Matheson: Violin Concerto, String Quartet, Times Alone Baird Dodge, violin; Esa-Pekka Salonen, Chicago Symphony Orchestra; Color Field Quartet; Laura Strickling, soprano; Thomas Sauer, piano The two-channel version of this release, fine in its own right, is available on CD and on three individual LPs: Yarlung YAR65005-670V, YAR25668-670V, and YAR25669-670V. However, my real motivation for this R2D4 listing is the DSD256 five-channel version, downloadable from NativeDSD. With no prior knowledge or expectations of James Matheson’s music, the slashing opening of Taut, energetic, the aptly titled first movement of his String Quartet, hooked me. Not only was the music gripping and appealing, the multichannel sound was completely involving. Matheson is a living composer for whom direct and emotional communication is not compromised by an unintelligible style or obscured by adherence to dated ones. His String Quartet is dramatic, his Violin Concerto virtuosic and witty, and oh, the lovely songs of Times Continue Reading →

Dr. David W. Robinson awards a 2016 Brutus Award to Yarlung Records

The Great Dr. David W. Robinson awards a 2016 Brutus Award to Yarlung Records, with special mention of Yarlung’s analog tape releases and “James Matheson” on DSD: I can’t complete this set of Brutus Awards without a special tip o’ my hat to Bob Attiyeh and Yarlung Records. His production values and remarkable recordings in classic 15 IPS half-track analog tape on a fabulous SonoruS RTR recorder, and then transferred to Quad DSD via a Merging Technologies Hapi Quad DSD ADC and available on the NativeDSD.com site, have been a wonderful treat for me for the past several years. Bob has a lovely sensibility for the music, energized by an inspiring passion for both fine classical and jazz recordings. This year has seen more brilliant work from Bob, all of which can be accessed at his store on NativeDSD.com. Bob, this one’s for you! A Brutus Award for the Matheson Continue Reading →