Michael Leser Johnson reviews Fire & Fancy in Analog Planet …Both sides of this record are a tour de force…. All the little details such as note decay, string bite, pizzicato tone, piano weight, are all here in spades. “Nene” by Diego Schicci takes the listener through four themed movements: I. Jumping on the Walls, II. Dozing on a Hanger, III. Riding a mosquito, and IV. Oozing Away. The compositional style is assuredly tonal, but with enough modern thematic elements to appear new and refreshing. The perpetual motion of the first movement; ‘Jumping on the Walls’, as well as mvmt 4 ‘Riding a Mosquito’, is masterfully played by the trio, particularly in the frantic and seemingly random string ostinato that weave in and out of the texture. On another note, I was very impressed by the depth of the recorded Steinway piano tone, which is almost always frustratingly difficult to Continue Reading →

Executive Producer Jim Mulally’s 180 GRAM 45RPM release of Sibelius Piano Trio’s western hemisphere premiere performance of Sibelius’ Korppoo Trio excited audiophile listeners and writers around the world. Michael Leser Johnson reviews Korppoo Trio in Analog Planet, Stephen Estep writes about the release in The Absolute Sound, and Jacob Heilbrunn covers the pressing and more in The Spectator. From The Spectator: The Sibelius Piano Trio’s live concert, featuring Petteri Iivonen on violin, Juho Pohjonen on piano and Samuli Peltonen on cello, is a treat to hear. For one thing, Yarlung Records, which always goes to great lengths to ensure high recording quality, down to the microphone amplification and tape machines it employs, has produced another sonically stellar LP. The individual instruments are almost perfectly balanced and the timbral fidelity is impeccable. The pleasure that Sibelius must have had in playing with his siblings on a work that he himself had composed Continue Reading →