Sibelius Trio Earns Latin Grammy Nomination

Bravo Diego and Sibelius Piano Trio! Para su consideración: Composición Clásica Contemporánea (Sibelius Piano Trio: “Nene”, de Diego Schissi) For your consideration: Contemporary Classical Composition (Sibelius Piano Trio: Nene, by Diego Schissi) El maestro argentino de jazz y tango Diego Schissi compuso “Nene” para Sibelius Piano Trio, que fue lanzado por Yarlung el año pasado con éxito crítico. Argentine jazz and tango master Diego Schissi wrote Nene for Sibelius Piano Trio, which Yarlung released last year to critical acclaim. Selecciones varias de “Nene” Folleto informativo “Nene”; descarga completa de alta calidad de audio de CD ¡Gracias, y que lo disfruten! Nene Music Samples Album booklet Complete CD Quality Download: Nene, by Diego Schissi Thank you! Enjoy! Nene was commissioned by Yarlung Artists Coretet, Yarlung’s new music commissioning organization directed by Donna Morton, with underwriting from Leslie Lassiter, Raulee Marcus and Stephen A. Block.Thank you! YouTube

Read Jeff Wilson’s review of Yuko Mabuchi Trio in The Absolute Sound

If the eponymous debut album by the Yuko Mabuchi Trio can be seen as a coming out party, it’s hard to imagine the musicians squeezing anything more out of the event. The nearly hour-long set includes some well-known jazz standards, including a gorgeous On Green Dolphin Street and an exuberant romp through Sonny Rollins’ St. Thomas. During a solo piano medley, Mabuchi’s reconstruction of Take the “A” Train displays a fertile imagination and a confident left hand. A sly reading of Sara Bareilles’ Seriously shows Mabuchi’s ability to spot a pop song that translates nicely into the jazz idiom. Her interpretive skills also surface on a composition by TAS music reviewer Mark Lehman, Waltz Noir; here the trio uses a classical composition as a launch pad for some highly evocative noir jazz. If Mabuchi’s playing can be described as tasteful, economical, and lyrical, it should also be noted that her Continue Reading →

Peter Rutenberg reviews Yuko Mabuchi debut on Yarlung Records

Review: Yuko Mabuchi, piano; Del Atkins, bass; Bobby Breton, drums by Peter Rutenberg Yuko Mabuchi Trio’s new CD on Yarlung Records makes great listening! They play several jazz standards with strength and authority, each with distinct colors and approaches. Lush harmonies suggest a sense of fuller orchestration, in the same vein as Brahms’ piano works, while fluid rhythms refresh at every turn. The trio exhibits consummate musicality and technique – with artful phrasing led by the pianist, a lyrical sensuousness in the bassist’s melodic counterpoints with the piano, and the drummer’s intelligent vocabulary and broad sweep tying it all together. Three brief points exemplify these qualities: Take the “A” Train roars into Harlem and beyond, stylistically speaking; the Japanese folksong Sakura (Cherry Blossom) finds delicate color and nuance in Debussy-esque harmonies; and the Latin rhythm tropes of the opening track, What Is This Thing Called Love, return in full regalia Continue Reading →

Review: Yuko Mabuchi Trio Concert

by Robert H. Levi Senior Associate Editor at Large, Positive Feedback Yuko Mabuchi plays the ivories with the touch of an angel and the understanding of an artist many times her young age. She is backed by seasoned musicians with strong drive plus an acute sense of playing with and not over the pianist. This is Yarlung’s third jazz album recorded like you wish all performances were recorded: listening is just like being there. All that’s missing here is the expensive tickets and sticky floor! The selection of mostly standards and stand-outs is delightful and hard to leave. I liked every one of them, particularly the All The Things You Are, Take The A Train, Satin Doll Medley and St. Thomas, a Sonny Rollins classic. The Japanese Medley was hauntingly gorgeous and intriguing. I played it twice in my first listening pass. The album is all about Yuko Mabuchi and Continue Reading →

Sibelius Piano Trio Makes an Impact in Australia

The eminent music critic Neville Cohn reviews the Trio’s debut album in NewOZartsreview. …this intriguing compilation encompasses music written by contemporary Finnish composers whose names could well be new to most listeners living beyond the borders of Scandinavia. Diego Schissi’s Nene… opens with a terrific, offbeat dance. It radiates gusto, with tricky rhythms and much pizzicato.  Listen to a background of quiet pizzicato across which runs a dream-like cello line. Later, the attention is drawn to the piano with its stab-like utterances…. David Lefkowitz’s Ruminations calls up images of Middle East dances and what might be a folksy Yiddish extemporisation, desperately melancholy and introverted…. Recordings like this don’t just happen. And those who have pooled their resources to this excellent end deserve real praise. The focused work of many has been called upon to bring this CD into being: executive producer Ann Mulally, 100th Anniversary sponsors Randy and Linda Bellous Continue Reading →

Tom Schnabel features Sasha Cooke singing Mahler on Rhythm Planet

Tom Schnabel features Mahler’s Liebst du um Schönheit on Rhythm Planet. Click to hear Tom & Sasha Hear the entire broadcast here. “… we continue with an art song by Gustav Mahler, beautifully rendered by mezzo soprano Sasha Cooke and The Colburn Orchestra from Los Angeles. The album is on Yarlung Records, an audiophile label known for pristine sound quality.” Thank you Tom and thank you KCRW! See also Sasha’s review in Opera News See Yarlung Records for more information on Sasha Cooke “If You Love For Beauty.”

Opera News: Sasha Cooke “If You Love for Beauty”

The Colburn Orchestra, Gilad. Works by Adams, Chausson, Handel and Mahler. Texts in French, Italian, German and English. Yarlung Records YAR14148 Mezzo Sasha Cooke made a striking impression as Kitty, the wife of J. Robert Oppenheimer, in the Met premiere of Doctor Atomic five seasons ago. The high point of her performance was her seductive love duet with Gerald Finley’s Oppenheimer, which included her aria “Am I in Your Light?” Cooke leads with that piece on her excellent debut solo CD, If You Love for Beauty, in which she is sensitively accompanied by Yehuda Gilad and the Colburn Orchestra. Cooke’s attractive, erotic stage presence struck plenty of sparks in Doctor Atomic, but without question she also delivers the vocal goods. She possesses a firm, fruity mezzo, straight-toned in quality, which allows the listener to luxuriate in her unerring sense of pitch. And she has a strong yet subtle interpretive ability, Continue Reading →

Eminent music critic John von Rhein writes in the Chicago Tribune about James Matheson

Baird Dodge, principal second violin of the Chicago Symphony Orchestra, gave the world premiere of American composer James Matheson’s Violin Concerto with the CSO under Esa-Pekka Salonen here in 2011. Yarlung Records has issued an all-Matheson disc anchored by a composite of those live performances, and it’s a winner. The concerto is a supercharged neo-romantic showpiece, two perpetual-motion outer movements surrounding a lyrical chaconne. Brilliantly played by its dedicatee and his orchestral colleagues, the concerto shares disc space with two Matheson chamber works that make the recording well worth checking out. Please enjoy John’s full article in the Tribune. Thank you John!

How do talented musicians reach new audiences?

How do talented musicians reach new audiences? This is a question we ask every day at Yarlung.  As the music “industry” continues to “evolve,” we must reevaluate how we increase visibility for new music and our musicians on a regular basis.  (I use “industry” and “evolve” euphemistically, as you may have guessed.) The music industry of recorded music, especially in its more sophisticated forms of classical music and jazz, has largely ceased to be a “business” like it was in the heyday between say 1940 and 1990.  “Evolve” is a euphemism for “disintegrate.”  People no longer spend money on recordings the way we did in prior decades.  We acknowledge this, and find other ways to help our musicians reach new audiences. Five years ago, “Social Media” seemed to be the key.  Large print ads no longer sold albums in significant numbers, but interactive media did hold the promise of engagement Continue Reading →

Commissioning New Music: Jim Farber writes in the San Francisco Classical Voice

The eminent music critic Jim Farber interviewed me recently for a two-part article he wrote for San Francisco Classical Voice about new music, organizations that commission new music, and various ways to fund these exciting creations.  He was particularly interested in Coretet, the commissioning arm of Yarlung Artists, founded by Coretet’s executive director Donna Morton. Jim speaks at length with Deborah Borda, president of the Los Angeles Philharmonic, and Raulee Marcus, who has been intimately involved (and generous)  as an underwriter for several commissions by Yarlung Artists, the Los Angeles Philharmonic, and the Los Angeles Chamber Orchestra. It was also great to see Jim include Thor Steingraber, who now runs the Valley Performing Arts Center in Northridge, where Yarlung is planning multiple recordings in June, 2017. Thank you Jim, for bringing clear focus to commissioning new music, which is pumps fresh life blood into the musical experience. -Bob Attiyeh Jim’s Continue Reading →